By Bainbridge Copnall and Fabio Barraclough (Auth.)
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Additional info for A Sculptor's Manual
6 MOVING HEAVY WEIGHTS Twin planks should be laid down unless the floor is level and smooth. At rest, the object to be moved, should stand on its distance-pieces. If the rollers are to travel on planks, the object has to be raised (by the method earlier described) by planks inserted below the distance-pieces, and the weight returned to these. Stage m o v e l . Ease up the front endof the base with the crowbar, using the heel as fulcrum. Remove forward distance-piece and insert number 1 roller just behind the middle of the base, and number 2 at the front of the base.
Thousands of carvings have been made of this wood ; great for detail and delicacy. PLATE 3 0 . "Family Group", 1 9 6 3 , oak carved direct, 1 4 ft high, in the sculptor's garden. Bought by D u d l e y Corporation. M — Ε A SCULPTOR'S M A N U A L Ebony Jarrah Lignum vitae Lime Oak Padouk Pear Pine Plane Mahogany Snakewood Sycamore Teak Hard to cut—a peeling, slicing method must be evolved; rich black in colour; grain very fine. A hard redwood from Australia ; cuts well and of course polishes to a high shine.
Bought by D u d l e y Corporation. M — Ε A SCULPTOR'S M A N U A L Ebony Jarrah Lignum vitae Lime Oak Padouk Pear Pine Plane Mahogany Snakewood Sycamore Teak Hard to cut—a peeling, slicing method must be evolved; rich black in colour; grain very fine. A hard redwood from Australia ; cuts well and of course polishes to a high shine. Very hard and permanent—almost like stone; colour apt to confuse as it is in patches—dark grey-green to brown and light grey-yellow. Many good works have been carved in this wood.